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Through out this website that i created, I aspire to describe the blossoming of my style, my creative identity shaped through these different projects. Whether it's in fashion design, pattern making illustration... This last two years and at Esmod has taught me a lot. What I love about art is the way it tells stories. With each project soon discovered, I reveal, an aspect of personality.
ACCESSORIES DESIGN
SYNTHETIC GENESIS
A NEW WORLD OUT OF THE OLD ONE
I take you to a world between reality and fantasy, on the seventh continent of waste. Life has evolved there as it has for billions of years. A psychedelic, intriguing, dangerous nature reigns supreme. Plants feed on garbage, human bodies have merged with the detritus to give ambiguous physics. As we explore these uncharted landscapes, we hear the crunch of plastic under our feet and the sounds of animals. The bright light of solar noon blends into the vegetation and colored plastic to create whimsical patterns on the ground. The climate is worthy of the Amazonian forests, humid and heavy. Life: my project could be summed up in this incredible phenomenon. Many collections are inspired by the sad degradation of the planet by our species in order to make the viewer react. My interpretation is based on hope, my faith in life to take over everything. Without minimizing the gravity of the ecological situation, I show the astonishing beauty of what we consider as bad. Beyond an imaginary world, it is a mirror on our society and our consumption patterns.
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BOTTE ASPHALTE
SAC ARCADE
MANCHETTE ACID
SAC ORCHID
COLLIER LAELIA
SMALL WAVE
A NEW LANDSCAPE
research and discovery of DIONET ISLAND
mountain animals
- Fusion nature and industrial waste
- Danger
- Synthetic Organic
- Saturated
- Genius of life
- New species
- Rebirth
- Human evolution
Mutations !!
new fauna
new flora
LEATHER GOODS
ECO-CONCEPTION
Eco-design is a dominant concept in the collection. The initial idea is to value the materials that are considered as waste or less noble and to enhance them with different processes.
CODES OF WASTE
Use of the so-called functional and ergonomic parts such as the details related to the grip on the bottles and the notion of wrapping.
MODULARITY
Allowing one room to solve multiple needs is a solution in the fight against waste. The playfulness adds a plus to the design that is reinvented with each combination.
ARCADE BAG
This bag in an organic-inspired asymmetrical handbag in crust calf leather with black and ultramarine blue gradient, neon yellow piping, with a large ergonomic handle printed in 3d.
- Asymmetrical front and back piece
- Front zip pocket with colored metal mesh zipper, slider and engraved metal pull tab
- Edge dye around black zip frame
- One-piece asymmetrical cavour
- Contrasting piping with 3mm binding around front and back panel
- Top zip opening with colored metal mesh zipper, slider and engraved pull tab
- Ergonomic 3d printed handle
- Semi-flying lining
- Patch pocket on the inside
- Carabiner
DETAILS
The handle inspired by the details of bottles that would become an organic shape was modeled in 3d and then printed with a flexible recycled TPU filament. There is almost no finishing on the handle to preserve the holographic effect of this printing technique.
3D PRINTED
METAL
The metal details like the zippers and the internal carabiner are aluminium engraved with the brand name
RECYCLE
The yellow leather used for the piping and interior pockets is a scrap of calf leather from the industry.
PATINE
The patina is traditionally used on men's shoes. The dynamic color reinforces the distortion of the model. It is an artisanal process carried out with a brush, it requires a specific knowledge. The patina is made on a natural calf leather with vegetable tanning which avoids the pollution linked to the dyeing and the excesive use of water.
SHOES
​Eco-design is central to the collection, many of the materials used are dead stock from the leather industry or vegetable tanned hides. The Phénix line is based on the restoration of damaged leathers such as holes, scars, stretch marks, stains using different processes such as patina or embroidery
ECO-CONCEPTION
TECNICAL CODES
The collection includes details of technical protections such as those used during chemical accidents or hurricanes. These details, textures and materials are reinvented on feminine, modern and desirable products.
NEW ANATOMIY
The concept behind some lines evokes a transformation of the human body as we know it, this mutation would come from the fusion of pollution with our bodies.
This boot is inspired by the technical equipment used during chemical accidents or oil spills. The volume evokes a decomposing material and as forced to compose with the rest of the shoe not necessarily always in harmony. My desire was to make these references feminine and elegant.
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​Volume sportswear heel boot:
- High top just below the knee
- Forefoot of the sole notched, fancy heel printed in 3 d in 2 pieces. Heel height 10 cm (Arch 7.5 cm; platform 2.5 cm)
- Elongated square toe, fairly narrow
- Low-cut toe cap
- Applique with strap on the bottom of the instep. Velcro fastening on the wider part of the strap
- D-ring (internal profile)
- Decorative slingback
- Beveled upper that slopes downward
- Insole with embossed logo without film
ASPHALTE BOOTS
DETAILS
The heel and the sportswear sole are modeled and printed in 3d. The filament printing technique allows to obtain an original light effect, a moiré effect. The PLA filament gives rigidity to the heel and lightness
3D PRINTED
RE-USE
The spazzolato leather used for the toe cap, the placket and the slingback yoke is made from industry dedstock skins. this leather is reminiscent of chemical accident protective equipment made of rubber
PATINE
The patina is traditionally used on men's shoes. The dynamic color reinforces the distortion of the model. It is an artisanal process carried out with a brush, it requires a specific knowledge. The patina is made on a natural calf leather with vegetable tanning which avoids the pollution linked to the dyeing and the excesive use of water.
SMALL LEATHER GOOD
BIO-MORPHIS
The small leather goods take up the ergonomic approach worked in the leather goods. At a time when micro-bags are trendy, I looked for a way to wear the small leather goods. This research is illustrated by the merge line.
ECO-CONCEPTION
The reflexion around the materials is even more important on the small leather goods because they are small parts or all that see. The aurora line includes a textile made from agglomerated textile shreds. The spine line highlights the reverse side of wart leather, parts of the skin considered unsightly that we do not show. The hook line reworks recycled materials with crochet pieces made of wool and cord .
The front pocket is modeled and 3d printed . The filament printing technique allows to obtain an original light effect, a moiré effect. The bio-sourced TPU filament gives flexibility to the piece.
PATINE
The patina is traditionally used on men's shoes. The dynamic color reinforces the distortion of the model. The patina is made on a natural calf leather with vegetable tanning which avoids the pollution linked to the dyeing and the excesive use of water.
3D PRINTING
JEWELLERY
MATERIAL INNOVATION
The sometimes unconventional look of the jewelry is enhanced by the use of original materials such as polymer clay to create colorful marbled effects, 3d printing in metal and resin as well as embroidered leather scraps.
FANTASY
The jewelry collection allows you to be totally immersed in the Dionet universe. The jewels are thought as relics. Intriguing flowers, organic forms in fusion, stones of this universe, intriguing embroideries...
This collection was created in the context of my second year, it’s a reflection on the way Man lives in his natural environment. The initial inspiration is a critique of current events.
With the Covid crisis we all experienced a special relationship to space. Indeed with the successive lockdowns we have been surrounded most of the time by 4 walls. Locked in our homes, we realized the impact that urbanism has on our lifestyles. This reflection became more relevant with the discovery of architectural styles (the brutalist one) and a design movement (radical design). This movement explores utopian and dystopian urban social hypotheses. Even if the peak of this movement was in the middle of the 20th century, I find their work still relevant today.
The war in Ukraine, unfortunately, also made me think about the way we have formatted and structured space. Why man sacrifices life for the possession of a little more land? Beyond an anthropological questioning, my project is above all related to ecology. The main inspiration of my volumes, colors, patterns ... relate to the ability of Man to geometrize nature, saturate it, pollute it. In my collection I create a parallel with a nature that has become totally artificial.
URBANXM
2nd Year final project
MOODBOARD
PATTERN DESIGN
My color range is very colorful and vivid. In one hand, white, beige and grey refer to artificial and neutral surfaces such as brutalist buildings. In parallel, the colored part of the range is built with negative cameos (green and pink). These colors are inspired by aerial photos of polluted lakes that have become very colorful.
Series of organic patterns inspired by aerial visions of nature.
Patterns made with hydrodiping and computer retouching
Geometric pattern inspired by archizoom's design project: no-stop city
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Sporty ziped jacket
Polyester jersey
K-way jacket
Nyloncanvas Polyester taffetas lining
Baseball sweater
Polyester mesh
The design of the volumes of my collection was entirely made from moulages. Mostly from 3 sports jackets. What interests me in this approach is especially to reuse the details and techniques of sportswear modeling. These 3 jackets are very mainstream. We all have at least two of these pieces in our wardrobe. My goal is to totally transform these pieces, not to consider them as finished garments but as a base.
Indeed the way to position a detail of the jacket on the body (like a collar that becomes a raglan sleeve and a muff) brings a new reading to the garment. I find very interesting to divert these details on more feminine clothes or even underwear. I like to break the codes, the contrast.
Like our violent relationship with the environment, I cut, burned, immersed, over-dyed these jackets to develop new materials, new types of product.
Modularity
Eco conception
Geometrie
When we look at the architecture of most of the world's cities, we can say that we have accessorized our environment to the extent that we have made it practical. This postulate associated with my eco-responsible approach, led me to reflect on our relationship with clothing and its use. It is the role of the designer to create clothes that are relevant to our lifestyles. That's why I worked on the modularity in this collection. In the sense that a garment can be worn in different ways. Thus it is the garment that adapts to the needs and desires. As a result of a thorough work of conceptualization, I imagined a jacket that turns into a bag, as well as a pair of pants that turns into a skirt. I show that a modular product can also be trendy.
My goal in this collection is to think well of the materials. Most of the materials are natural and when they are not they are recycled or recovered. These leather skins for example have been laser cut to make certainly accessories or clothing. However, once cut, there is a lot of material that will be thrown away. I have recovered these scraps, to make harnesses or inlays on clothes.
Beyond the patterns and materials, I transcribed the idea of hyper geometry on the body.
Thanks to foam scraps, I was able to deform and create a new morphology. I tried to conjugate these unexpected volumes with a very standardized and classic garment: the suit jacket.
Final LOOK
Vivre Magazine is a project created at the end of my second year. More than a book, it is a representation of my creative universe. The recurring references that feed my "style". It is above all my universe that I invite you to discover through these pages.
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This edition explores the relationship between home and space. With the help of projects and artists' interviews, we analyze how the Man of the 20th and 21st century has geometrized, politicized, coated, polluted the earth species.
DOWNLOAD FULL DOCUMENT
CATACLYSM
The violent forest fires in Australia at the end of 2019 really shocked and upset me. The impact of climate change on the planet is now undeniable. Changes in our production and consumption patterns are absolutely necessary! This is why I wanted to build an ethical, modern and responsible project. A project that is first a tribute to firefighters, a tribute to nature and an example of a different creative and manufacturing process. Based on up cycling, biologic and "intelligent" fabrics that can interact with the light, reflect it, shaped the body.. Moreover I wanted to associate a technical point, with coated materials, treated which are a reference to the fireproof fireman’s clothings.
JUNE 2020
TARGET
TYA
26 years old
San Francisco
Fabric and material Ingenieur
Single
A dog
She is persevering, responsible, daring, empathetic, sociable
She is a cultured person
She likes cross fit
Photography
Pottery
Reading
Piano playing
Foreign languages
She is very militantte
VOLUME RESEARCH
With this first volume, I was inspired by the undulations of the flames, to imitate this almost living and fascinating thing. I wanted to emphasize the movement and the enhancement of the feminin body
With the ecological approach of my project, I reused a polyester tablecloth (100% polyester) to make the molding.
MOULAGE REINTERPRETATIONS
I wanted to focus my volume research and product development around puffy and vaporous volumes. Rethinking the dynamics of the body through patches or gathers, inspired by the very impressive smoke columns.
Reuse of the lining of a woman's trench coat
100% polyester.
Pleated and gathered
MOULAGE REINTERPRETATIONS
I wanted to rework the fireman's uniform,
especially the intervention jacket, the utility jacket. This approach led me to focus on the technical elements such as pockets, flaps, straps and on the cut, very oversized, bulky. I wanted to bring femininity in this very basic piece and to question myself on the different lives of clothing, how to make it adapt to all bodies and in several ways.
Reuse of the lining of a woman's trench coat
100% polyester.
Pleated and gathered
MOULAGE REINTERPRETATIONS
FINAL DRESS DEVELOPPEMENT
Oversized dress
Above the knee
Reworked officer collar
Flap with velcro
Metal zip in the middle front
Flared sleeves with opening at the bottom of the sleeves
Sliders under the chest at the front
All around the body at the level of small hips, shoulders, cuffs, above the waist in the back
Laces
2 double and triple gusseted pockets with flap and velcro
8 metal rings
Double filled hem
Finished with trimming at collar
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DESCRIPTION
This dress represents the ideas and concepts that I put forward in the different parts and stages of the development of my project.
The main idea is to play, to destructure the volumes. The basic volume of the dress is very oversized, it reminds the intervention jacket of the firemen. In accordance with this wardrobe and my creativ universe, I wanted to keep technical elements that I find fascinating. In particular the complex pockets in volumes, the high collar with the flap, the rings, the velcro, the links. To this very large and impersonal volume, I wanted to make it a living, feminine and fun product. This is manifested by the different slides that allow to tighten the volume of the dress in certain places. Once tightened, the slides create gathers which are looking like flames and energize the silhouette.
I obviously thought about my target, a fun, cultured woman who loves innovation, who knows how to understand the complexity of things, who is very busy but who lives in San Francisco, a very lively city by day and by night. My dress fits her needs perfectly. It can be worn 81 different ways. It's a day dress but it can be shortened and bent to become an evening dress, the volume of the sleeves is adjustable....
Biological coton
Up-cycled sequins
Up-cycled sequins
Biological coton
Burnt velvet
ACCESSORIES
Collages
Slightly flared skirt
Mid-thigh
Double ring clasp belt
Front pocket with zip
Symmetrical pencil skirt
7/8th
Waist down
1 cutout on the middle front and back
2 cuts on the right and left side
2 zippers on the middle front and back
3 zippers on the right and left side
White Project
According to the legend, mermaids are creatures half woman half fish, with exceptional beauty and a bewitching voice. They would populate the unexplored depths of the sea.
But what you don't know is that these creatures are real. For a long time, they were limited to the marine world, but today, overfishing has starved them. Thanks to the wetsuits of a team of divers who had come a little too close to their territory, they were able to come back to dry land, in all discretion. They are now among us. Beware of appearances!
MAERMAID REVENGE
Ankle flared skirt
High waist
Front and back cutouts
2 front zips
2 back zips
SEPT 2020
DARTs work
Oversized blouse
Reworked stand-up collar
Button placket
4 welt pockets, buttoned with front placket
Removable bishop sleeve with 8 pleats at the wrist
Single shirt placket
Rising cuff, curved on the outside
Buttoned back opening with placket
Handkerchief hem
Deconstructed crop top
Rounded plunging neckline
Classic collar turned into a strap
Big flat button 2 holes in the middle front
Rising placket with thumbhole
Simple buttonholes
2 darts in front and back
Handkerchief hem
Very tight deconstructed shirt with integrated hood
Classic collar turned into a visor integrated into the hood
Reworked button placket with pleats
Cutouts that snake in front and back
Handkerchief hem
The main inspiration for this childrenswear collection is the work of Gaudi in Barcelona: the Casa Batlo, the Park Guell and the Casa Mila. Antoni Gaudí (1852-1926) was a Ca- talan architect who was part of the modernist and art nouveau mo- vements. These movements emerged in reaction to the increasing industrialization in Europe and the rise of industrial mass production, which were seen as detrimental to traditional craftsmanship. This movement blends craft and innovation by producing beautiful objects to elevate the lives of the people. Art Nouveau rejects the past and focuses on modernity. The artists are inspired by nature, plants, ani- mals, landscapes and transpose them into objects never seen be- fore.
My role is to question his work and to transpose it into the current society. After an analysis of his work, I find this duality between nature and new technologies very present today. I linked this notion with substainability by using a molding technique called the zero waste pattern. This process use 100% of the fabric and therefore have no waste. I explored the temporality. I reinterpreted the mosaics of Gaudi from a modern perspective.
GAUDI GEOMETRIC FANTASY
This collection is a fall winter collection for girls between 8 and 14 years old. It is much more than a simple collection, it illustrates my vision of youth. I think it's important that each child cultivates his imagination, dreams, invents by discovering the world, the nature. Children have the most in- nocent and magical vision of the world. This vision is the basis of my collection.
MOODBOARD
PLACED PATTERN
COLOR VARIATION
